Created in 1930, it depicts a farmer standing beside a woman that has been interpreted to be his wife and dentist.
Although Dalí declared himself apolitical— 'I am Dalí, and only that'—this painting shows his personal struggle with the battle in his home country.
It is believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517.
Dürer created the drawing using the technique of white heightening and black ink on (self-made) blue colored paper.
The painting has been in the collection of the Mauritshuis in The Hague since 1902.
Standing at 3.49 meters (11 ft 5 in) tall and 7.76 meters (25 ft 6 in) wide, the large mural shows the suffering of people wrenched by violence and chaos.
For the paint, Pollock chose to use liquid paints.
It is one of the most representative paintings of the pop art movement, and part of the Museum of Modern Art's permanent collection since 1971.
The works show a figure with an agonized expression against a landscape with a tumultuous orange sky.
The work is composed of oil paint with applied layers of gold leaf, an aspect that gives it its strikingly modern, yet evocative appearance.
Seurat's composition includes a number of Parisians at a park on the banks of the River Seine.
The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which is the sea and a cloudy sky.
The lithograph depicts a large building roofed by a never-ending staircase.
Within months of its completion, it was sold to the Art Institute of Chicago on May 13, 1942 for $3,000.
That action was the first move in a surprise attack against the Hessian forces at Trenton, New Jersey, in the Battle of Trenton on the morning of December 26.
Rousseau first exhibited the painting at the 13th Salon des Indépendants, and tried unsuccessfully to sell it to the mayor of his hometown, Laval.
The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis.
In the foreground, a young man stands upon a rocky precipice with his back to the viewer.
It is Hokusai's most famous work, and one of the most recognizable works of Japanese art in the world.
It is a double self-portrait, depicting two versions of Kahlo seated together.
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